Spowiedź i kazanie w kulturze i literaturze

Chapters

• THE PRINCIPLE OF CONTRAST PARALLELISM AS A RHETORICAL BACKGROUND OF THE MOTIF OF THE CANCELLATION OF THE CURSE OF FIRST PARENTS IN OLDEST SLAVIC HOMILETIC TEXTS
  Martin Braxatoris
  PDF
• DEFENSE OF THE CLERICAL STATE AGAINST CRITICISM IN PRINTED SERMONS FROM THE REIGN OF STANISŁAW AUGUST (1764-1795)
  Gabriela Frischke
  PDF
• SERMON AS GENRE IN THE SERVICE OF ENLIGHTENMENT IDEALS: THE TOWN AS “HEAVENLY JERUSALEM” OR “SINFUL BABEL” IN SERMONS OF SLOVAK ENLIGHTENMENT SCHOLARS
  Martin Golema
  PDF
• MERCY IN THE SACRAMENT OF PENANCE IN PIOTR SKARGA'S APPROACH
  Jacek Kwosek
  PDF
• “ A UNIVERSAL CONFESSION IS COMING CONFESSIONAL WORKS BY RUSSIAN AUTHORS DURING THE 19th CENTURY
  Ludmiła Łucewicz
  PDF
• THE SPIRITUAL DIMENSION OF THE HERO’S WORLD IN THE STORY "ANATHEMA" BY ALEXANDER KUPRIN
  Danuta Szymonik, Venera Aminieva
  PDF
• EXPRESSIONISTS’ SERMONS: ON THE RENEWAL OF MAN AND ART IN MANIFESTS OF JERZY HULEWICZ AND ADAM BEDERSKI
  Sławomir Sobieraj
  PDF
• CONFESSING GENDER: AN ATTEMPT AT READING „THE ANDROGYNOUS GIPPIUS”
  Irena Dimova
  PDF
• AUSTRIAN CONFESSION OF A CHILD OF THE CENTURY. RECKONING WITH PAST IN "DER HERR KARL" BY HELMUT QUALTINGER AND CARL MERZ
  Krzysztof Tkaczyk
  PDF
• „TWO EYES FOR ONE EYE.” PARODY OF THE SERMON ON THE MOUNT IN EDGAR HILSENRATH’S NOVEL "THE NAZI AND THE BARBER"
  Magdalena Daroch
  PDF
• THE LYRICAL CONFESSION OF POET MILAN RÚFUS
  Eva Pršová
  PDF
• A “CONFESSION” OR A “CHALLENGE” – AUTOBIOGRAPHICAL ATTITUDE OF MARIA ARBATOVA
  Martyna Kowalska
  PDF